?
Hi Art,
As far as the "window position" goes... try and adjust it so the NPO
(Nearest Point Object), in this case the foreground rocks, are behind the SW
(Stereo Window). When people say, "Push it behind the window", this is
what they mean. If the NPO is exactly at the stereo window, that is known
as "Zero parallax". When an object or NPO comes "through the window"
without touching the edge of the stereo window, this is a good TTW (Through The
Window) effect. When an object or NPO comes through the stereo window but
intersects with the edge of the window, this causes a disturbance and discomfort
in our minds since in real life this could not happen and our minds
subconsciously know that something is breaking the laws of physics. In
other words, treat the stereo window as if it is a REAL LIFE window. If a
ball was thrown through the middle of the window toward the viewer, we know that
is possible and can come through toward us. If the ball hits the edge of
the window, we know it can not come through that area as it would physically be
impossible in real life.
Each of your versions have the NPO coming through the stereo window (past
zero parallax) but they are intersecting with the edge of the window
causing a distraction called a WV (Window Violation).
In SPM (StereoPhoto Maker), the "Easy Adjustment" feature can be used to
set the NPO back behind the Stereo Window (Zero Parallax) and this will
correct the WV.
Cheers,
Brian
----- Original Message -----
Sent: Saturday, December 01, 2012 5:44
PM
Subject: [Anaglyphs] Best positioning of
window
Hi all,
I?m at a loss as to the best positioning of the window.
Here?s three variations. The first has the foreground bushes in the fixed
position (maybe there?s a better way to describe this?).
The second is focused on the rocks halfway across.
The third is focused on the telephone poles on the ridge.
Since there?s not a specific subject, do you just aim for something
in the middle?
Art ?Curious in California? Clark