Picture N°3 again (Psd Vs SPM files). The softwares are not enemy, SPM
is a wonderful tool of Masuji for amateurish wanted a "Plug & Play"
stereo tool. I use it a lot for my private picture, especially for MPO
files (3D-TV). Like it is much more impressive to see 3D on a TV Vs a
monitor four time smaller.

The window violation here again is not a trouble on paper print just cut
around the border, but here on monitor you see it with a white
background all around and this change the brain perception.
For monitor it will be better to use for the down border a floating
window.

Notice also the red back light kept (no color correcting) but at
parallax "0"(at the window) to avoid more trouble (see comparative file
joint too).
SPM version have half tint color correcting (the brow car color become
violet, this will be refused by a printer and his customer), color
correcting also one the back-light, because like on this version their
no road pop-up (no window violation) the back-light of the car can't be
at parallax "0", so if no color correcting = much more trouble.

JMH
>
>
> Le 12/01/2014 23:19, forum(-at-)trivision3d.com a écrit :
>>
>> Hi,
>>
>> Here is joint a publicity I done with Photoshop (original OFFSET
>> print) for PEUGEOT French car in Slovenia (Est Europe).
>> Some window violations are possible without hard trouble, but under
>> control.
>>
>> The file SPM is mount with StereoPhotoMaker, see the difference.
>> Mount also like stereo club wants, no window violation, no road pop-up.
>> This show you the same picture for an amateurish use (Like I do with
>> SPM for my private pictures) and the version for a printer customer
>> needed Photoshop if no ghosting wanted with OFFSET print.
>>
>> Series of 4 pictures (next coming) all with Psd Vs Spm.
>>
>> Notice I like the two softwares but one is a professional tool hard
>> to use and not done specially for stereo (Psd) and the second (Spm)
>> a very good stereoscopic soft for amateurish not needed OFFSET print.
>>
>> The four pictures are 2D to 3D conversions, professionally 3D shoot
>> got less and less demand from customers. It is the same for 3D movies !
>> with conversion parallax is under control (depending of the paper
>> print size for OFFSET).
>>
>> Jean-marc Hénault
>

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